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«POWER, MONEY, AND SEX(UALITY): THE BLACK MASCULINE PARADIGM A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and ...»

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--- “The Absent One: The Avant-Garde and the Black Imaginary in Looking for Langston.” Representing Black Men.

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---“Binary Oppositions in Chapter One of the Narrative of the Life of Frederick Douglass an American Slave Written by Himself.”Critical Essays on Douglass. Ed.,William Andrews. Boston Massachusetts: G.K. Hall & Co. 79-93.

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--- Feminism is for Everybody. Cambridge: South End, 1992.

--- Where We Stand: Class Matters. New York: Routledge, 2000.

---We Real Cool. New York: Routledge, 2004.

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---Betrayed: a History of Presidential Failure to Protect Black Lives.

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---The Mugging of Black America. Chicago, Ill.: African American Images. 1990.

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--- “A Phenomenology of the Black Body,” Michigan Quarterly Review 32, 4 (1993): 604.

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Trout, David. “The Race Industry, Brutality, and the Law of Mothers.” Not Guilty: Twelve Black Men Speak Out on Law, Justice and Life.

New York: Harper Collins, 2001. 53-69 Wallace, Maurice, ed. Constructing the Black Masculine: Identity and Ideality In African American Men’s Literature and Culture, 1775-1995. New York: Duke University, 1995.

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–  –  –

Kendric Coleman was born in Bogalusa, Louisiana, and grew up in Mt. Hermon, Louisiana, where he attended Mt. Hermon High School.

Coleman received a bachelor of arts degree in English, with a minor in mass communication, from Louisiana State University at Baton Rouge in December of 1997. Coleman continued his matriculation at LSU and completed the Master of Arts degree in English, with a concentration in African American Literature. Upon completion of the master’s degree, Coleman accepted a fulltime faculty position at Southern University and Agricultural and Mechanical College. Later, Coleman pursed his doctorate degree also at LSU where he was the recipient of the Huel Perkins Fellowship. The Doctor of Philosophy will be conferred on

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