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«1 Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice Alexa Torchynowycz Thesis Mentor: Helena Szépe, Ph.D. ...»

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Potvin, John, ed. Material Cultures 1740-1920: The Meanings and Pleasures of Collecting. (Burlington: Ashgate Publishing Company, 2009).

Quinn, Michael L. “The Comedy of Reference: The Semiotics of Commedia Figures in Eighteenth-century Venice.” Theatre Journal 43, no. 1, Mar. (1991): 70-92.

Rookmaaker, Kees, and Jim Monson. “Woodcuts and Engravings Illustrating the Journey of Clara, the Most Popular Rhinoceros of the Eighteenth Century.” Der Zoologische Garten (October 2000): 313-335.

Rookmaaker, L.C. Bibliography of the Rhinoceros: An Analysis of the Literature

on the Recent Rhinoceroses in Culture, History, and Biology. (Rotterdam:

A.A. Balkema, 1983).

Ridley, Glynis. Clara‟s Grand Tour: Travels with a Rhinoceros in EighteenthCentury Europe. (New York: Atlantic Monthly Press, 2004).

Smith, Pamela H. and Benjamin Schmidt, ed. Making Knowledge in Early

Modern Europe: Practices, Objects and Texts, 1400-1800. (Chicago:

University of Chicago Press, 2007).

---, Pamela H. and Paula Findlen, ed. Merchants and Marvels: Commerce, Science, and Art in Early Modern Europe. (New York: Routledge, 2002).

Sohm, Philip L. “ Pietro Longhi and Carlo Goldoni: Relations between Painting and Theater.” Zeitschrift für Kunstgeschichte. (1982): 256-273.

Van der Ham, Gijs. “Clara in Beeld.” Bulletin van het Rijksmuseum. 53.2 (2005):

192-203.

Vanhaelen, Angela. Comic Print and Theatre in Early Modern Amsterdam:

Gender, Childhood and the City. (Burlington: Ashgate Publishing Company, 2003).

---, Angela. “Local Sites, Foreign Sites: A Sailor‟s Sketchbook of Human and Animal Curiosities in Early Modern Amsterdam.” RES: Anthropology and Aesthetics, No. 45 (Spring, 2004): 256-272.

Zorzi, Marino. “Collections, Collectors and Libraries in Venice in the 17th and 18th Centuries.” Passion and Commerce: Art in Venice in the 17th and 18th Centuries exh. cat., ed. Estudi Balmes, 51-63

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