WWW.DISSERTATION.XLIBX.INFO
FREE ELECTRONIC LIBRARY - Dissertations, online materials
 
<< HOME
CONTACTS



Pages:     | 1 |   ...   | 11 | 12 || 14 | 15 |   ...   | 20 |

«The Vimanika Shastra English translation by G.R. Josyer [1973] This is the English translation of the Vimanika Shastra, which purports to be an ...»

-- [ Page 13 ] --

Shirah-Keelaka Yantra.

It is said in Kriyaa-saara, "When the plane is passing through a region of overhanging clouds, there is possibility of lightning striking and destroying the plane. As protection against that the shirah-keelaka yantra should be installed at the crest of the vimaana."

The Yantra is described in Yantra Sarvasva:

"When there is danger of lightning striking the plane, the shirah-keelaka yantra is to protect it.

Therefore it is explained below. An umbrella, of the p. 71 same size as the top of the vimaana, with ribs and metal covering should be made out of vishakantha metal. The umbrella stick, of arm's length, and peetha or stand, circular in shape, should be made out of the same metal. Then out of baka-tundila metal three wheeled keelakaas or hinges should be fixed at the front, back, and middle of the vimaana. The umbrella rod should be fixed in the middle of two keelakas.

The agnikuthaara crystal with metal cage should be fixed at the top like a crown. A three wheel switch revolving key should be fixed by the side of the pilot. Then wires made of kulishadhwamsa metal should be run from the crystal to the three wheeled revolving keelaka. In front of it shabdanaala tube with switch should be fixed. The yantra should be enclosed in a cover made of suranjikaa glass. When there is anticipatory thunder in the clouds, the glass covering cracks, and the tube of the wiring will emit sounds, and the wires will be severely shaken. When the pilot notices these signs, he should quickly set in motion the three-wheel keelee, which will revolve the umbrella with 100 linka speed. Then the crystal switch should also be turned, where-upon the crystal will also revolve with intense speed. By the speed of the revolution of the umbrella, the force of lightning will be stemmed, and the danger will be passed, leaving the vimaana and the pilot safe. That is the use of the shirah-keela yantra."

Shabdaakarshana yantra:

In order to tap or discover the sounds in the 8 directions of the vimaana, wired or wireless, up to 12 krosas or 27 miles, caused by birds or quadrupeds or by men, with 8 mechanisms, the shabdaakarshana yantra is prescribed to be fixed in the shoulder of the vimaana. A peetha or foot-plate four-cornered or round should be made out of bidaala metal, with a pivot in the centre.

On either side should be fitted machines which will attract any kind of sound and repeat it. With the soft leather of roruva or grinjinee bird two ball-shaped domes should be fixed. Between them in a suraghaadarsa vessel katana-drava acid should be filled and the vessel should be installed.

Above the acid vessel and between the two globes should be fixed sound spotting rod made of sound capturing ghantaara metal, fitted with a bunch of wires. It should be enclosed in a cover made of kwanaka glass. In the corner three thumb size wheeled knots should be fixed. From them to the rod fine strong wires should be connected. Enclosing the wires a karanda or p. 72 container made by kwanaadarsa glass, with small holes should be placed. A vessel made of the same glass, shaped like a drona or grain measurer, should be placed on top of it. In the east and west and north and south 4 crystals named rudantee-ratikaa should be arranged with wires.

Above it shabdaphenaka covering, with small shankus or screws fixed, should be placed. It should be covered by a covering made of kwanaadarsa glass, with 8 small holes. Wires starting from the screws and passing through the holes should reach the top of the covering. In the centre of it in an inch size hole simhaasya-danda-naala or tube should be fixed. In front of it a vaataapaakarshana chakra or wind wheel with 16 spokes with wires should be fixed. The wheels should be fixed in all 8 directions. In the simhaasya mukha naala or lion-faced tube on 8 sides revolving wheels should be fixed. 8 goblet like vessels made of pure vajeemukha metal should be fixed. Wires from the 8 holes of the covering should be placed in them. Similarly from the wind wheel wires should be connected to 8 screws in the 8 goblets on the simhaasya. Then from the 8 screws in shabdaphena, wires should be connected to the crystal in the acid vessel.

By the flow of wind the wheel turns with speedy right and left motion, and will set in motion the shabda-phena wheel. Then the wheels on the 8 screws also will turn. Then the sound detection rod made of sound-capturing ghantaara metal will be set in motion. Thereupon the two globes made of roruva-grinjinee skin will attract all sounds clearly and store inside themselves. By moving the central switch there the sounds will pass through the simhaasya tube and enter the dronaasya vessel, and make the sounds clearly audible to the hearer. The pilot will listen to the voices and direct the plane away from the vicinity of danger. Hence the shabdaakarshana yantra is prescribed.

This yantra is in 32 varieties. And it is distinct from the 32 parts constituting the vimaana.

–  –  –

Zinc, sharkara or quartz powder?, kaanta or steel, mica, shilaarasa, kamatha or benzoin, dimbhaari, areca-nut, karagrathinee, copper, virinchi, karna or sal tree, patalee or long blue cucumber, gumbhalee, dumbholika alloy, kshaara or chloride, kraantika, simha, panja or momordika, dalinee, mercury, eye-black powder or surma?, kshonika, veera or red-lead, yellow p. 73 thistle, madder-root, mridarutee, brass, iron, these articles should be powdered, and purified in equal quantities, filled in shashamoosha crucible, placed in mandooka furnace, and with fivemouthed bellows heated to 200 degrees and melted to eye-level, when cast will yield a fine, light, blue, bydaala alloy.





Rutana acid is explained in "Moolikaarka prakaasikaa" as follows:

Yellow thistle, karanda or iron pyrites, wild liquorice, paarvani or chlorodendrum phlomaides, chanchooli or red castor, bhantikaa or madder root, kaarambha, vishwesha, chandikaa or sesbenia grandiflora, amara or Indian turnsole?, shundaalika, barbaraasya, sowrambha or toothache tree?, praana-kshaara or ammonium chloride, virinchi, borax, arka or calotropis gigantia, surubhee or basil, these in the proportion of 4, 3, 3, 5, 7, 12, 15, 1, 3, 10, 24, 25, 30, 12, 20, 8, purified and filled in vessel and boiled to 108 degrees, will become a fine yellow rutana-draavaka acid.

Ghantaarava metal is explained in Lohatantra:

Bell-metal, aaraara, ruchaka or patron.?, gaaruda or emerald stone?, shalyakrintana, panchaasya, veerana, rukma or gold-metal, shukatunda, and sulochana, these 10 metals purified and powdered in the proportion of 5, 3, 12, 2, 3, 7, 5, 30, 4, 24, should be filled in shukti crucible, wrapped all round with earth, placed in alaabu shaped furnace, and boiled to 500 degrees up to eye level, should be poured into the mould. A fine, light, scarlet metal which will record all sounds will result.

Kwanadarpana mirror is explained in Darpana Prakarana:

Wild liquorice seeds, red catechu, false catechu, white catechu, garadaka or a poison, 8 kinds of salt, salyaaka, vara or sodium chloride, sharkaraa or granite powder, budilaka salt, jwaalaamukha or wolf's bane?, tundila or kayidonda, bydaala or arsenic?, shukatunda, ravimukha or magnifying glass, chancholika or red castor seed, arjuna or tin, luntaaka, varataala or yellow orpiment?, kuravaka or crimson thorny amaranth, kambodara, kaamuka or punnaaga or Alxandrian laurel or pinnay oil tree, these ingredients, after triple cleaning, are to be filled in padma crucible, placed in padmaakara furnace, and heated to 700 degrees, and poured in mould, will yield an excellent kwanadarpana glass.

p. 74

Rudantee-mani is explained in "Mani Prakarana":

Kshaaratraya or natron, salt-pare, borax, aanjanika or eye-black powder, kaanta or sun crystal, sajjeeka, vara or sodium chloride, karna or oxide of arsenic, cowrie shells, maakshika or iron pyrites, sharkara or granite grains, sphaatika or alum, kaamsya or bell-metal, mercury, taalakasatva or yellow orpiment, gyra or marking nut, ruruka, rouchyaka, kudupa, garada or aconite, panchamukha metal, shingara or iron dross, and shundolika or great leaved caledium, these 21 articles, purified, and filled in aanika crucible, placed in shouktika furnace and boiled to 103 degrees, and cast into maniyantra mould, becomes a fine rudantee crystal.

Ruchika mani also is explained in Maniprakarana:

Sea-foam, chamaree cat's nail and mouth bones, steel, paarthiva, granite grains, shilaarasa or liquid amber, mercury, praana-kshaara or ammonium chloride, alum, naaga, cowrie, maakshika or iron pyrites, shundaala or great-leaved caledium, rundaka or eagle wood, kudupa, suvarchala or natron, jambaalika, musk-cat's tooth, or yellow orpiment?, ranjaka, manjishtha or madder root, paarvani or stag-horn, rukma or gold quartz, yellow thistle, owl's nails, vara or ammonium chloride, oyster shell, these ingredients, purified and filled in equal proportion in nakhamukha crucible, placed in mahodara furnace and heated with the aid of six-faced bellows to eye-level, and poured into mould will yield a strong, dark, heavy rutikaa crystal.

Shabda phena mani is described in "Shabda-Mahodadhi":

"Take badaba sound from the sky, life-giving trait from water, the fire of air from the atmosphere, the echoing quality from boulder, the splitting quality from solar-rays, moss layer, sea-foam, bamboo, conch; manjishtha or madder root, kusha grass, gribhdnaka, rudra-shalya, gokarna or sal?, and musali or curculigo orchioides, in the proportion of 7, 22, 45, 13, 32, 19, 38, 14, 22, 38, 42, 13, 25, 9, and 23. These purified and boiled will yield shabdaphena."

From moss-layer to musali the ingredients should be purified, and in the said proportions should be filled in phenaakara yantra, should be baked for 3 days, and for a week the sankalana keywheel of the yantra should be turned in full speed for half a ghatika daily, when foam will be formed. The foam should be filled in shakti-sammelana yantra. Then through 6 tubes p. 75 the 6 shaktis or powers from praanana to sphotana should be injected into the foam patiently. On either side of the yantra switches should turn the mixing or churning wheel inside the yantra. Then moderate heat should be applied from praanana to sphotana power infusion. Then keeping it in the sun, electric power should be applied to the foam up to 85 degrees. This electric cooking should be done for 6 days. Then carefully extracting the foam from the yantra, it should be stored in the vaajeemukha metal box. That shabda-phena would be able to attract and record all kinds of sounds.

Vaajeemukha metal is described in "Lohatantra":

Copper 3 parts, sonamukhee or iron pyrites 2 parts, zinc 8 parts, veera or black metal 2 parts, kaanta or steel 3 parts, bambhaarika 1 part, kamsaarika 3 parts, panchaanana 6 parts, gowreemukha or mica? 2 parts, shundaalaka 6 parts, these 10 articles to be purified and filled in shundaalaka crucible, placed in shoorpaasya furnace and heated with vajraanana bellows and poured in vajraanana yantra and churned energetically for proper cohesion of the liquid, will yield vaajeemukha loha of light reddish brown colour.

Pataprasaarana yantra is described in Kriyaasaara:

In order to realise dangers to the vimaana en route, and shift directions towards safety,

pataprasaarana yantra is prescribed. Says Patakalpa:

"Munja grass, lac, sal, red brinjal, shaambaree or arjuna tree bark, jute, raajaavarta or sphatikaari or hydrorgirum sulphuratum, darbha grass, kravyaada or Indian spikenard, with triple purification, and thrice exposing to soorya-puta or sun-baking, placing them in the cooking vessel, and baking for 3 days. Then the product should be filled in kuttinee yantra, and churned for 3 yaamaas or 3/8 of a day, then placed in cooking vessel and rebaked for 3 days. Then it must be poured into patakriyaa yantra or cloth-forming machine and churned, so as to form an even emulsion, and that will form a fine artificial cloth. It should then be coloured with seven colours. It should be rolled round a long pole, and the pole fixed in thrimukhee-naala yantra, and equipped with a key should be installed in the shoulder of the vimaana.

When the flag-like contraption shows red indicating danger ahead the pilot should loose height and reach safety. When favourable colours are p. 76 shown, the pilot should note their significance and move the vimaana in the favourable direction.

Dishaampati Yantra: says "Kriyaasaara," "In its passage in the sky in the eight directions, the vimaana is likely to meet 15 fierce hurricanes called kowbera by the effects of the planetary forces With solar rays and unfavourable seasonal conditions. They will cause baneful skin effects on the occupants of planes and throat and lung troubles. To protect against that the Disaampti yantra is to be installed in the left shoulder of the vimaana."

The yantra is described in "Yantra Prakarana":

"In order to act as antidote to the poisonous effects of the kowbera winds, F shall describe the disaampati yantra. A peetha or foot plate, quadrangular or circular, should be made of paarvanee wood cured three times with requisite acids."

Paarvanee wood is described in "Agatatwa Laharee":

"Parvanee wood is wood which has very close joints as in sugarcane. It is red coloured, long leaved, decked with red flowers. It has small thorns, is antidote for snake-poison, is acrid in taste, and is used in driving away demons and other evil forces. It blooms in the dark half of the month."

In the centre of the peetha, a tube or pivot made of the 19th type of glass, with 9 holes, 9 switches, and 9 wires, and of arm's length, should be fixed. Eight kendras or centres should be spotted in its 8 directions. 8 naalas, pipes, or tubes, should be made 2 feet long, 6 feet high and 3 feet wide, and round in the middle. A lotus with 8 petals should be prepared and fixed on the top of the pivot.

The whole should be covered with hare-skin. Manchoolika linen should cover its mukha or entrance. The wires in the tubes should be taken to the petals above the lotus and fixed in the joints.

Manchoolikaa linen is explained in "Pata-pradeepikaa":



Pages:     | 1 |   ...   | 11 | 12 || 14 | 15 |   ...   | 20 |


Similar works:

«Alexander and the Persian Cosmopolis, 1000-1500 Owen Cornwall Submitted in partial fulfillment of the of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 ©2015 Owen Cornwall All rights reserved ABSTRACT Alexander and the Persian Cosmopolis, 1000-1500 Owen Cornwall The Alexander romance—a heroic narrative loosely based on the life of Alexander the Great—was one of the most widely copied texts throughout premodern...»

«African arts between curios, antiquities, and avantgarde at the Maison Brummer, Paris (1908-1914) Yaëlle Biro During the first decades of the twentieth century, the appreciation of African artefacts in the West shifted dramatically: from colonial trophies and ethnographic specimens, they became modernist icons worthy of aesthetic contemplation. While this volume’s goal is to offer a critical rereading of the scholarly appreciation of nonWestern objects as art around 1900, this paper...»

«ACADEMY NEWS 21st June, 2013 www.burlingtondanes.org THREE ENJOYABLE DAYS IN FRANCE Early on Monday morning a group of 59 excited Year 8 students crossed the channel and headed for a welcome three-day-break in St Malo, France. The port city in Brittany was once notorious for piracy, but is now a popular tourist destination dotted with beautiful, ancient buildings. On the first day the group visited the impressive old town and explored the historic port before venturing to the beach to enjoy an...»

«Law in Transition XXIst Annual Forum of Young Legal Historians 6th Berg Institute International Conference Tel Aviv, 1–3 March 2015 PROGRAM The Buchmann Faculty of Law XXIst Annual Forum of Young Legal Historians 6th Berg Institute International Conference With the support of The Cegla Center for the Interdisciplinary Research of Law Entin Faculty of Humanities Yavetz Graduate School of Historical Studies Organizing Committee David Schorr (Chair) Omer Aloni Yael Braudo-Bahat Doreen Lustig...»

«Gradualism on Trial To Hanoi and Back The United States Air Force and North Vietnam 1966–1973 Wayne Thompson Air Force History and Museums Program United States Air Force Washington, D.C. 2000 To Hanoi and Back Library of Congress Cataloging-in-Publication Data Thompson, Wayne, 1945To Hanoi and back : the United States Air Force and North Vietnam, 19661973/Wayne Thompson p. 24 cm. Includes bibliographical references and index.1. Vietnamese Conflict, 1961-1975Aerial operations, American. 2....»

«What is Dyslexia? Slide 2 Basically it’s smart people who have a hard time learning to read, write, and at times speech articulation is affected. Classic symptoms include: Slow reading, frustration with reading and writing, very poor spelling, and great difficulty sounding out words, especially unfamiliar ones. Reading problems are often unexpected relative to other cognitive abilities or skills. A 5 Minute Video http://www.youtube.com/watch?v=zafiGBrFkR M The Preschool Years Slide 2 I knew...»

«NEWBORN FOAL – NOW WHAT? L. Chris Sanchez, DVM, PhD, DACVIM and Steeve Giguère, DVM, PhD, DACVIM* College of Veterinary Medicine University of Florida, Gainesville, FL, USA and *University of Georgia, Athens, GA, USA Proceedings: North American Veterinary Conference, Orlando, FL, January 2012 Reprinted with Permission A complete and thorough physical examination of both the mare and the newborn foal is essential in order to differentiate normal from abnormal, provide a presumptive diagnosis,...»

«46 Sonically-Enhanced Tabular Screen-Reading Jonathan Cofino, Armando Barreto, Fatemeh Abyarjoo, Francisco R. Ortega Florida International University jcofi001@fiu.edu, barretoa@fiu.edu, fabya001@fiu.edu, forte007@fiu.edu Abstract The World Wide Web has made more information readily available than at any time in human history. This information is often presented visually, which can be an inaccessible medium for people with blindness or lowvision. Presently, screen readers are able to verbalize...»

«The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project JOHN J. HELBLE Interviewed by: Thomas F. Conlon Initial interview date: April 5, 1996 Copyright 1998 ADST TABLE OF CONTENTS Background Born and raised in Wisconsin University of Wisconsin Entered Foreign Service in 1956 State Department Passport Office 1956 Adjudicator duties State Department FSI Spanish language 1956 Puerto La Cruz, Venezuela 1957-1959 Background of Mrs. Joan Helble Consular duties U.S....»

«The international monetary and financial system: A capital account historical perspective 1 Claudio Borio Harold James Hyun Song Shin This draft: 27 April 2014 1 Paper prepared for the Norges Bank conference, June 5-6, 2014 Abstract In analysing the performance of the international monetary and financial system (IMFS), too much attention has been paid to the current account and far too little to the capital account. This is true of both formal analytical models and historical narratives. This...»

«Coming to Terms with Terminology Food Security Nutrition Security Food Security and Nutrition Food and Nutrition Security Revised Draft 25 July 2012 CONTENTS I. INTRODUCTION II. SIGNIFICANCE OF THE REQUEST III. EVOLUTION OF UNDERLYING CONCEPTS IV. CURRENT USAGE OF TERMINOLOGY Food Security Nutrition Security Food Security and Nutrition Food and Nutrition Security V. CONCLUSIONS AND RECOMMENDATIONS Annex 1: Key Terms Annex 2: Chronological List of Seminal Works Coming to Terms with Terminology...»

«AgnieszkA kowAlczyk Uniwersytet Jagielloński w Krakowie Góry rzeczywiste a wyobrażone w poematach opisowych doby romantyzmu. Tatry Stęczyńskiego, Góra Odyńca i Podole Gosławskiego Zapomniane dziś poematy opisowe – Tatry Bogusza Zygmunta Stęczyńskiego, Góra Antoniego Edwarda Odyńca i Podole Maurycego Gosławskiego – współtworzą literacką panoramę ziem pogranicza związanych z dawną Rzeczypospolitą, a zachowujących jednocześnie odrębny, niepowtarzalny charakter w sferze...»





 
<<  HOME   |    CONTACTS
2016 www.dissertation.xlibx.info - Dissertations, online materials

Materials of this site are available for review, all rights belong to their respective owners.
If you do not agree with the fact that your material is placed on this site, please, email us, we will within 1-2 business days delete him.