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«An van. Dienderen Promotor: Professor Dr. Rik Pinxten Proefschrift voorgelegd tot het behalen van de graad van Doctor in de Vergelijkende ...»

-- [ Page 23 ] --

Salmond, Anne 1982. “Theoretical Landscapes: on a cross-cultural conception of Knowledge”, Semantic Anthropology.

London – Academic Press.

Stocking, George W., Jr. ed.: 1974. A Franz Boas Reader: The Shaping of American Anthropology, 1883-1911. Chicago, The University of Chicago Press.

Stoller, Paul 1994. ‘Artaud, Rouch, and the Cinema of Cruelty’. Visualizing theory. Selected Essays from Visual Anthropology Review 1990-1994. ed. Lucien Taylor. New York and Londen: Routledge, pp. 84 -98.

Talmy, Leonard 1995. ‘Fictive Motion in Language and “ception”’. Language and Space, eds. Paul Bloom, Marie Peterson, Lynn Nadel and Merrill Garrett. Cambridge, Mass: MIT Press.

Taylor, Lucien (Ed.) 1994. Visualizing Theory. Selected essays from V.A.R. 1990 – 1994. New York and London: Routledge.

Tedlock, Dennis 1983. “The Analogical Tradition and the Emergence of a Dialogical Anthropology.” The Spoken Word and the Work of Interpretation, pp. 321-338. Philadelphia – University of Pennsylvania Press.

Trinh, Minh-ha, 1989. Woman, Native, Other. Writing Postcoloniality and Feminism. Bloomington and Indianapolis Indiana University Press.

--- 1989. ‘Inside/outside’ in: Questions of Third Cinema, Pines, Jim and Paul Willemen. London: British Film Institute

--- 1990. ‘Documentary Is/Not a Name’, October 52, Spring: 76-100.

--- 1991. When the Moon Waxes Red. Representation,Gender and Cultural Politics. New York and Londen: Routledge.

--- 1992. Framer Framed. New York and Londen: Routledge.

--- 1999. Cinema Interval. New York and London: Routledge.

Tsivian, Yuri 1994. Early Cinema in Russia and Its Cultural Reception. New York: Routledge.

Turner, Mark and Gilles, Fauconnier, “A Mechanism of Creativity”, Poetics Today 20.3 (1999) 397-418.

Tyler, Stephen A. 1986. “Post-Modern Ethnography: From Document of the Occult to Occult Document”. Writing Culture.

The Poetics and Politics of Ethnography Ed. J. Clifford and G.R. Marcus. Berkeley-Los Angeles-London: University of California Press.

--1987. The Unspeakable: Discourse, Dialogue and Rhetoric in the Postmodern World. Madison: University of Wisconsin Press.

van. Dienderen, An, 2001. ‘Het lichaam. Site voor de antropologische blik’, in Etcetera, jg 19, nr 76, april, p 43-47.

---, 2002 a. ‘Potlachers in de marge van. Over het nieuwe videowerk van Els Dietvorst’. Gepubliceerd als Potlachers in the margin of. On the new video work of Els Dietvorst, in: A-Prior, n-8, autumn issue, Brussels, p. 196 - 200.

---, 2002 b. ‘This special mystique of interview politics: a Flow between fact and fiction. Review of ‘Cinema Interval’ by Trinh Minh-ha’. 1999. in: Film-Philosophy, internet magazine: http://www.film-philosophy.com, July.

---, 2003. “‘Flow between Fact and Fiction.” Analysis of Identity Dynamics in Visual Representation’: in Longman, Chia, Pinxten, Rik and Ghislain Verstraete (eds.), Culture and Power, Bergahn Books, Oxford – New York.

216

---, 2004 a. ‘Collectivity on Screen: Balancing between Taxidermy and Negotiation’, in: Social Justice: Anthropology, Peace and Human Rights. Official Journal of the Commission on Peace and Human richt. International Union of Anthropological and Ethnological science, Vol. 4, nrs. 3-4.

---, 2004 b. ‘Collectiviteit in beeld. Over het productieproces van The March, The Burden, The Desert, The Boredom, The Anger, de eerste langspeelfilm van Els Dietvorst i.s.m de Zwaluwen’ In: Etcetera, jg. 22, nr. 91, p. 46-55.

Van Eeckhoven, Joris 2003. De Socio-artistieke parktijk: een hefboom naar een grotere culturele en maatschappelijke participatie. (Socio-artistic practice. A lever enhancing cultural and societal participation). Master thesis, Comparative Cultural Sciences. University Ghent.

Virilio, Paul 1989 [1984]. War and Cinema: The Logistics of Perception, London and New York: Verso Books.

Volckaert, Didier 1995. Opkomst en ondergang van Cinema, een Pre-Cinematografische zoektocht naar een kerndefinitie.

(Rise and fall of Cinema, a Pre-cinematographic research to a definition). Master thesis Audiovisual Arts. St-Lukas Brussel 1995.

--- 2004. ‘Que Viva Els Dietvorst’ in ED, Brussel: Firefly.

Williams, Raymond 1989. The Politics of Modernism. New York: Verso.

Winston, Brian 1996. Technologies of Seeing. Photography, Cinematography and Television. London: British Film Institute.

Wollen, Peter 1980. ‘Cinema and Technology: A Historical Overview’. The Cinematic Apparatus. Eds. Teresa de Laurentis and Stephen Heath. New york: St. Martin’s Press.

Worth, Sol 1981. Studying Visual Communication, ed. Larry Gross. Philidelphia: University of Pennsylvania Press.

Bibliography for “Tu ne verras pas Verapaz” Borghs, Elke 2002. To see or not to see: Etnografie van zelf-reflexiviteit bij een filmploeg. (Ethnography of self-reflexivity within a film crew).

Unpublished master thesis, Catholic University of Louvain, anthropology departement, Promotor: Professor Devliegher.

Brouze, Prosper 1846. Une colonie belge dans l’Amérique Centrale ou Relation du voyage et du séjour de P. Brouez à Santo-Tomas de Guatemala. Mons.

Brysse, A. 1993. Een kind van de Muide, Herinneringen van een kwajongen aan de havenkant, KOJ.





Coolsaet, Jozef 1950. ‘100 jaar geleden. Belgen in Centraal-Amerika’. Het leger - de Natie. Brussel (april). pp. 195 – 199.

Cloquet, M. 1844. Rapport sur la situation de la colonie de Santo-Thomas and 1843, Bruxelles.

Duchesne, A. Bibliographie des tentatives de colonisation et d’expansion belges sous le règne de Léopold Ier, REEB, pp. 768-807.

Dumon, G.H. s.d. Belgen over zee. Maatschappij Historia NV, Brussel, pp. 21-27.

Evereart, John 1981. ‘Utopia and the Facts of Business. The Abortive Belgian Colonization Project of Santo-Tomas de Guatemala (1842 – 1856). (Results of Current Investigations)’. Wirtschaftskräfte und Wirtschaftswege V. Festschrift für Hermann Kellenbenz. Ed. Jürgen Schneider. Nürnberg: Zentralinstitut für Fränkische Landeskunde und Allgemeine Regionalforschung.

Fabri, Joseph 1955. Les Belges au Guatemala (1840-1845). Brussel.

F.A.C.V.H., 1844. Relation et impressions du voyage et séjour d’un colon revenu de St-Thomas. Pour servir d’éclaircissements en de rectification au jugement qu’on pourrait se faire de cette colonie. Anvers: Imprimerie de J.Jouan, Place-verte 480.

Grifith, William J., 1959. Santo Tomás: anhelado emporio del comercio en el Atlántico. Guatemala: Tipografía Nacional.

Guinea, Gerardo, 1977. En la cueva de Polifemo: auge y colapso de la colonización belga en Santo Tomás de Guatemala.

Lafontaine, Marc 1997. L’enfer belge de Santo Tomas. Le rêve colonial brisé de Léopold Ier. Ottignies: Quorum.

Lekens, L. & J. Lagrou, 1996. Gentse wijken vroeger, De Muide. deel 2, De Klaroen.

Leysbeth, Nicolas 1938. Historique de la colonisation belge à Santo-Thomas, Guatemala. Nouvelle Société d'édition, Brussel.

217 Neylants, E. 1953. ‘Pierlala en Verapa (Heule)’. Biekorf LIV. pp. 262-263.

Pérez Valenzuela, Pedro, 1956. Santo Tomás de Castilla: apuntes para la historia de las colonizaciones en la costa atlántica. Guatemala:

Tipografía Nacional.

Rieux, H. 1971.’Gentse bijdrage tot de studie van het volkslied "Vera Pas". Oost-Vlaamse Zanten. pp. 215-217.

Smets, Irene 1993. ‘Een Belgische kolonie in Midden-Amerika: Santo Tomas de Guatemala’. Vlaanderen en Latijns-Amerika. Eds. Stols Eddy en Rudi Bleys. Antwerpen: Mercatorfonds. pp. 242 – 253.

Stalpaert, H. 1954. ‘Marktliederen over emigratie naar Vera-Paz’. Biekorf LV. pp. 257-269.

Van Ceulenbrouk, Ed. Blondeel 1846. Enquête faite au Guatemala au sujet de la colonisation belge. Documents parlementaires, Séance de la Chambre des Réprésentants, n° 268/10 juin 1846.

---, 1848. Ibidem, Rapport adressé au Ministre des Affaires Etrangères, n° 124/16 fev. 1848.

van den Bossche, S. 1997. Een kortstondige kolonie, Santo-Tomas de Guatemala (1843-1854). Tielt: Lannoo.

Vankenhove Richard en Adhémar Lepage 1932. Het volksleven in het straatlied. Meer dan 300 Gentsche straatliedjes, gecommenteerd, in muziek opgenomen, en tot bundels gevlochten met piano begeleiding. Gent/Brussel: Volksdrukkerij/Wilde Roos. Pp. 243-245.

Van Wesemael, M. 1972. ‘Nog iets over het liedje van Vera Paz’. Oost-Vlaamse Zanten. pp. 35-37.

Filmography (selection) Amsterdam Global Village. 1996. Johan Van der Keuken. The Netherlands. 245 mins.

L’arroseur arrosé. 1895. Louis Lumière. France. 40secs.

The Ax Fight. 1975. Thimothy Asch. U.S.A. 30 mins.

Bathing Babies in Three Cultures. 1954. Gregory Bateson and Margaret Mead. U.S.A. 9 mins.

Blue. 1993. Derek Jarman. G.B. 79 mins.

Cannibal Tours. 1987. Dennis O’Rourke. Australia. 70 mins.

Caravaggio. 1986. Derek Jarman. G.B. 93 mins.

Un Chien andalou. 1929. Luis Bunuel and Salvador Dali. France. 17 mins.

Chronique d’un été. 1961. Jean Rouch and Edgar Morin. France. 90 mins.

Citizin Kane. 1941. Orson Welles. U.S.A. 119 mins.

Cocorico, Monsieur Poulet. 1974. Jean Rouch. France. 90 mins.

D’est. 1993. Chantal Ackerman. Belgium. 107 mins.

Dead Birds. 1963. U.S.A. 84 mins.

De Grands évenements et de gens ordinaires. 1979. Raoul Ruiz. 84 mins.

Déjeuner de bébé. 1895. Louis Lumière. France. 40 secs.

D-I-A-L History. 1998. Johan Grimponprez. Belgium. 68 mins.

Divine Horsemen. 1947-1985. Maya Deren. U.S.A. 54 mins.

Eastern elegy. 1996. Aleksandr Sokurov. Russia/Japan. 43 mins.

Eth(n)ics. 2001. Laurent Van Lancker. Belgium. 25 mins.

Etre et avoir. 2002. Nicolas Philibert. France. 104 mins.

Familiar places. 1980. David MacDougall. Australia. 53 mins.

Fireworks. 1974. Kenneth Anger. U.S.A. 20 mins.

218 First Contact. 1982. Bob Connolly and Robin Anderson. Australia. 54 mins.

Forest of Bliss. 1985. Robert Gardner. U.S.A. 91 mins.

Free radicals. 1958. Len Lye. New Sealand. 5 mins.

La Fragilité des apparences. 1994. Eric Pauwels. Belgium. 43 mins.

From the Pole to the Equator. 1987. Yervant Giankian and Angela Ricci Lucchi.

The good woman of Bangkok. 1991. Dennis O’Rourke. G.B./Australia. 82 mins.

De grote vakantie. 2000. Johan Vanderkeuken. Netherlands. 145 mins.

Handsworth Song. 1985. Black Audio Film Collective. G.B. 58 mins.

Hoop dreams. 1994. Steve James. U.S.A. 174 mins.

The Human Figure in Motion. 1887. Eadweard Muybridge. 4,789 B/W photographs. U.S.A.

The Hunters. 1958. John K. Marshall. U.S.A. 72 mins.

Las Hurdes. 1932. Luis Bunuel. Spain. 27 mins.

I Do Not Know What It Is I Am Like. 1986. Bill Viola. U.S.A. 89 mins.

In the land of the Head-Hunters. 1914. Edward S. Curtis.

In Voodoo we trust. 1997. Jim Ireland and Laurent Van Lancker. Belgium. 52 mins.

Jaguar. 1967. Jean Rouch. France. 93 mins.

La Jetée. 1964. Chris Marker. France. 29 mins.

A joking relationship. 1966. John K. Marshall. U.S.A. 13 mins.

Kisangari diaries. 1997. Hupert Sauper. Germany. 45 mins.

Lettre d’un cinéaste à sa fille. 2000. Eric pauwels. Belgium. 50 mins.

Madame l’eau. 1992. Jean Rouch. France. 125 mins.

Les Maîtres fous. 1955. Jean Rouch. France. 36 mins.

Man of Aran. 1934. Robert J. Flaherty. G.B. 77 mins.

The Man with the Movie Camera. 1928. Dziga Vertov. U.S.S.R. 90 mins.

Moana : A Romance of the Golden Age. 1926. Robert J. Flaherty. G.B. 64 mins.

Moi, un noir. 1957. Jean Rouch. France. 70 mins.

La moindre des choses. 1997. Nicoloas Philibert. France. 104 mins.

A Movie. 1958. Bruce Connor. U.S.A. 12 mins.

N !ai, the story of a !Kung Woman. 1980. John K. Marshall and Adrienne Miesmer. U.S.A. 58 mins.

Naked Spaces - Living is Round. 1985. Trinh T. Minh-ha. U.S.A. 135 mins.

Nanook of the North. 1922. Robert J. Flaherty. France. 75 mins.

News from Home. 1976. Chantal Ackerman. U.S.A. 85 mins.

New York, N.Y. 1986. Raymond Depardon. France. 10 mins.

Night Passage. 2004. Trinh T. Minh-ha. U.S.A. 98 mins.

Peggy and Fred in Hell. 1981-1994. Leslie Thornton. U.S.A. 95 mins.

Pour toujours. 1997. Eric Pauwels. Belgium. 93 mins.

La Pyramide Humaine. 1961. Jean Rouch. France. 90 mins.

Reminiscences of a journey to Lithuania. 1972. Jonas Mekas. U.S.A. 89 mins.

Pierre. 2000. Laurent Van Lancker. Belgium. 18 mins.

Reassemblage. 1982. Trinh T. Minh-ha. U.S.A.40 mins.

219 Les Rives du flueve. 1991. Eric Pauwels. Belgium. 58 mins.

Rolling. 1997. Peter Entell. France/Switzerland. 93 mins.

San Clemente. 1980. Raymond Depardon. France. 90 mins.

Sans soleil. 1982. Chris Marker. France. 100 mins.

Sebastiane. 1975. Derek jarman. G.B. 75 mins.

Shoot for the Contents. 1991. Trinh T. Minh-ha. U.S.A. 102 mins.

Short films. 1950-2000. Stan Brakhage. U.S.A. (various).

Site. 2000. An van. Dienderen. Belgium. 10 mins.

Sleep. 1963. Andy Warhol. U.S.A. 360 mins.

Song of Ceylon. 1934. Basil Wright. G.B. 40 mins.

Stolat. 1992. Les ateliers Varan. France. 20 mins.

Surname Viet Given Name Nam. 1989. Trinh T. Minh-ha. U.S.A. 108 mins.

A Tale of Love. 1995. Trinh T. Minh-ha. U.S.A.108 min.

Titicut Follies. 1967. Frederick Wiseman and John Marshall. U.S.A. 89 mins.

Triumph des Willens. 1935. Leni Riefenstahl. Germany. 120 mins.

Trois danses Hongroises de Brahms. 1990. Eric Pauwels. Belgium.

The Tube. 2001. Peter Entell. Belgium / Switzerland. 81 mins.

Tu ne verras pas Verapaz. 2002. An van. Dienderen and Didier Volckaert. Belgium. 56 mins Unsere Afrikareise. 1966. Peter Kubelka. Austria. 13 mins.

La ville Louvre. 1990. Nicolas Philibert. France. 84 mins.

Visitors of the Night. 1998. An van. Dienderen and Didier Volckaert. Belgium. 34 mins.

Voyage dans la lune. 1903. Georges Méliès. France. 12 mins.

Voyage iconographique: le Martyre de Saint Sébastien. 1989. Eric Pauwels. Belgium. 52 mins.

Ymako: Invisible theatre for an African reality. 1998. Robin Shuffield and Laurent Van Lancker. 1998.

Yzer. 1996. An van. Dienderen. Belgium. 8 mins.

2001 : A space Odyssey. 1968. Stanley Kubrick. G.B. 141 mins.

31 Nights. 2003. Laurent Van Lancker. Belgium. 28 mins.



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