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«CURRICULUM VITAE HEIDI J. HORNIK Baylor University e-mail: Heidi_Hornik Department of Art One Bear Place #97263 Waco, Texas 76798-7263 ...»

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CURRICULUM VITAE

HEIDI J. HORNIK

Baylor University e-mail: Heidi_Hornik@baylor.edu

Department of Art

One Bear Place #97263

Waco, Texas 76798-7263

EDUCATION

The Pennsylvania State University, Ph.D., Art History, 1990.

Dissertation: “Michele di Ridolfo del Ghirlandaio (1503-1577) and the Reception of Mannerism in Florence.”

The Pennsylvania State University, M. A., Art History, 1987.

Thesis: “Michele Tosini (1503-1577) called Michele di Ridolfo.” Minor in History.

Cornell University, College of Arts and Sciences, B.A., History of Art, 1984.

TEACHING Baylor University, Department of Art.

Professor, 2004-Present.

Associate Professor, 1998-2004.

Assistant Professor, 1990-1998.

The Pennsylvania State University, Department of Art History.

Instructor, Summer, 1988, 1990.

COLLEGE FELLOWSHIPS

Visiting Fellow, St. Edmund’s College, Cambridge University, England, Fall, 2004.

Teaching Fellow, Armstrong Browning Library, Baylor University, 2015.

TEACHING AND RESEARCH AWARDS

Mentor of the Year, Undergraduate Research and Scholarly Achievement, Baylor University, 2015.

Outstanding Woman Faculty Member. Chi Omega Fraternity, Baylor University, 2011.

College of Arts and Architecture Alumni Achievement Award. The Pennsylvania State University, 2005.

Faculty Teaching Award. Phi Kappa Chi, Baylor University, April 15, 2002.

Circle of Achievement Award. Laurel Chapter of Mortar Board, Baylor University, 1992.

College of Arts and Architecture Graduate Student Award for Creative Achievement. The Pennsylvania State University, 1990.

MUSEUM EXPERIENCE

Director. The Martin Museum of Art, Baylor University, 1990-2004.

Assistant Registrar. Cornell University, The Herbert F. Johnson Museum of Art. Fall 1984.

Curatorial Intern, Summer, 1984.

Registrarial Intern, 1983-84.

BOOKS Hornik, Heidi J., The Art of Christian Reflection (under contract, Baylor University Press, forthcoming 2018).

Hornik, Heidi J. and Mikeal C. Parsons. The Acts of the Apostles Through the Centuries (in press, Oxford:

Blackwell Bible Commentaries, forthcoming 2016) 383 ms pp. +40 b/w, 3 color ills.

Hornik, Heidi J., Michele Tosini and the Ghirlandaio Workshop in Cinquecento Florence (Eastbourne, UK and Portland, Oregon: Sussex Academic Press, 2009) 121 pp. + 30 b/w, 10 color ills.

Hornik CV 11.2.15 page 2 Hornik, Heidi J. and Mikeal C. Parsons. Illuminating Luke: The Passion and Resurrection Narratives in Italian Renaissance and Baroque Painting, Vol. 3 (London and New York: T&T Clark International, 2007) 178 pp. +36 ills.

Hornik, Heidi J. and Mikeal C. Parsons. Illuminating Luke: The Public Ministry of Christ in Italian Renaissance Painting, Vol. 2 (London and New York: T&T Clark International, 2005) 177 pp. +37 ills.

Hornik, Heidi J. and Mikeal C. Parsons. Illuminating Luke: The Infancy Narrative of Christ in Italian Renaissance Painting, Vol.1 (Harrisburg, London, New York: Trinity Press International, 2003) 164 pp.+36 ills.

Hornik, Heidi J. and Mikeal C. Parsons. Interpreting Christian Art, edited volume of papers presented at the Pruit Memorial Symposium 2000, Baylor University, (Macon, GA: Mercer University Press, 2004) 208 pp. +70 ills.

REFEREED ARTICLES

Hornik, Heidi J., “Guercino’s Christ and the Woman of Samaria: The Evolution of Biblical Narrative and Visual Meaning,” article in Biblical Reception, Vol. 4, eds. J. Cheryl Exum and David J.A. Clines. Request to contribute an article to blind, peer-reviewed theme issue, “Reception of Biblical Women in the Arts,” by guest editor Diane Apostolos-Cappadona (Georgetown University). Manuscript due January 1, 2016. c. 5,000 words + 5 ills.

Hornik, Heidi J., “Figure femminili dell’Antico Testament in alcuni pittori italiani (1500-1650)” in Donne e Bibbia nella Crisi dell’Europa Cattolica (Secoli XVI-XVII), Maria Luca Giordano and Adriana Valerio, eds., in the series La Bibbia e le Donne. Collana di Esergesi, Cultura e Storia (Trapani, Italy: Il pozzo di giacobbe, 2014), 141-158.

Heidi J. Hornik, “The Invention and Development of the ‘Secular’ Mary Magdalene in Late Renaissance Florentine Painting,” in Mary Magdalene in Medieval Culture. Conflicted Roles, Peter Loewen and Robin Waugh, eds. in the series Routledge Studies in Medieval Literature and Culture (New York and Oxon: Routledge Press, 2014), 75-97.

Hornik, Heidi J., “Luke’s Crucifixion in Art,” Bible Odyssey web project, Society of Biblical Literature, Moira Buciarelli, Managing Editor, 2015. http://www.bibleodyssey.org/en/passages/related-articles/lukes-crucifixion-inart.aspx Hornik, Heidi J. “Recasting the Magdalene in Sixteenth-Century Florence: The Painting Workshop of Michele Tosini,” in From the Margins 2:Women of the New Testament and their Afterlives, Christine Joynes and Christopher C. Rowland, eds. (Sheffield, UK: Sheffield Phoenix Press, 2009), 80-93.

Hornik, Heidi J. “Masaccio and Michelangelo as Biblical Exegetes,” in Imaging the Bible, Martin O’Kane, ed.

(London: SPCK, 2008): 63-82.





Hornik, Heidi J. “The Bible and the Sixteenth-Century Painter: Nativity, Way to Calvary, and Crucifixion as Visual Narratives by Michele Tosini,” in Between the Text and the Canvas: The Bible and Art in Dialogue, J. Cheryl Exum and Ela Nutu, eds. (Sheffield, UK: Sheffield Phoenix Press, 2007), 163-86.

Hornik, Heidi J. “The Baptism of Christ by Michele Tosini; A Lukan Reading,” Interpretation, V.61, N. 4 (October 2007): 376-85.

Hornik, Heidi J. “Raphael’s Tapestry Project: A Visual Exegesis,” Perspectives in Religious Studies, V.31, N.4 (Winter 2004): 467-87.

Hornik, Heidi J. “Michele Tosini: The Artist, The Oeuvre and The Testament,” in Continuity, Innovation and

Connoisseurship: Old Master Paintings at the Palmer Museum of Art, Mary Jane Harris, ed. (University Park, PA:

Penn State Press, 2003), 22-37.

–  –  –

Hornik, Heidi J. “The Strozzi Chapel by Michele Tosini: A Visual Interpretation of Redemptive Epiphany,” Artibus et Historiae, V. 46 (2002): 97-118.

Hornik, Heidi J. “The Testament of Michele Tosini,” Paragone. V. 46, N. 543-545 (1995): 156-67.

Co-authored Hornik, Heidi J. and Mikeal C. Parsons. “The Feast of Pentecost and Trinity Sunday: Liturgical Art in Context,” Interpretation, V.66, N.1 (Jan 2012): 55-66.

Hornik, Heidi J. and Mikeal C. Parsons. “The Third Gospel in Italian Renaissance and Baroque Painting,” in Reading Luke, Scripture and Hermeneutics Series, Vol. 6 (USA and UK: Zondervan and Paternoster Press, 2005), 416-36.

Hornik, Heidi J. and Mikeal C. Parsons. “Luke and Pontormo: The Visitation at SS. Annunziata,” in Interpreting Christian Art, Heidi J. Hornik and Mikeal C. Parsons, eds. (Macon, GA: Mercer University Press, 2003), 139-68.

Hornik, Heidi J. and Mikeal C. Parsons. “Ambrogio Lorenzetti’s Presentation in the Temple,” Perspectives in Religious Studies, V. 28, N.1 (2001): 31-46.

Hornik, Heidi J. and Mikeal C. Parsons. “Caravaggio’s London Supper at Emmaus: A Counter-Reformation Reading of Luke 24,”Christian Scholars Review, V. 28, N.4 (1999): 561-85.

CHAPTERS and ENTRIES (Festschrifts, Catalogs, Companions, Handbooks, Dictionaries) Hornik, Heidi J. “The Influence of the Junius Bassus Sarcophagus on Italian Renaissance Art,” chapter in Festschrift in Honor of Elizabeth Struthers Malbon, ed. Edwin Broadhead (Sheffield, UK: Sheffield Academic Press). Request to contribute to blind, peer-reviewed book. Manuscript due January 1, 2016. c. 7,000 words + 7 ills.

Hornik, Heidi J. “Michele Tosini’s Adoration of the Christ Child,” catalog entry in the exhibition Maniera.

Pontormo, Bronzino and Medici Florence, ed. Bastian Eclercy, Head of Italian, French and Spanish Paintings Before 1800, Städel Museum, Frankfurt, Feb. 24-June 5, 2016, 750 words + 2 color ills. (in press) Hornik, Heidi J. and Mikeal C. Parsons. “Philological and Performative Perspectives on Pentecost,” Reading Acts Today, Steve Walton et al, eds. (London and New York: T&T Clark, 2011), 137-53.

Hornik, Heidi J. “Eschatology in Fine Art,” The [Oxford] Handbook of Escatology, Jerry L.Walls, ed. (Oxford:

Oxford University Press, 2008), 629-54.

Hornik, Heidi J. and Mikeal C. Parsons. “Art,” The Blackwell Companion to the Bible and Culture, John Sawyer, ed. (Oxford: Blackwell Publishing, 2006), 299-322.

Hornik, Heidi J. “Art,” New Interpreter’s Dictionary of the Bible,” Vol. 1, Katharine Doob Sakenfeld, Samuel E.

Balentine, Brian K. Blount, eds. (Nashville, TN: Abingdon Press, 2006), 276-88.

Hornik, Heidi J., “Aesthetics,” New Interpreter’s Dictionary of the Bible, Vol. 1, Katharine Doob Sakenfeld, Samuel E. Balentine, Brian K. Blount, eds. (Nashville, TN: Abingdon Press, 2006), 60.

Hornik, Heidi J. “Carving,” New Interpreter’s Dictionary of the Bible, Vol. 1, Katharine Doob Sakenfeld, Samuel E.

Balentine, Brian K. Blount, eds. (Nashville, TN: Abingdon Press, 2006), 570-71.

Hornik, Heidi J. “Crafts,” New Interpreter’s Dictionary of the Bible, Vol. 1, Katharine Doob Sakenfeld, Samuel E.

Balentine, Brian K. Blount, eds. (Nashville, TN: Abingdon Press, 2006), 779.

Hornik, Heidi J. “Christian Art,” New Interpreter’s Dictionary of the Bible, Vol. 1, Katharine Doob Sakenfeld, Samuel E. Balentine, Brian K. Blount, eds. (Nashville, TN: Abingdon Press, 2006), 606.

–  –  –

NON-REFEREED WORK Hornik, Heidi J. and Mikeal C. Parsons. “The Bible and Art: An Introduction to Method and Visual Exegesis,” Interpretation, V.61, N. 4 (October 2007): 355-57.

Hornik, Heidi J., and Mikeal C. Parsons. “The Harrowing of Hell,” Bible Review, V.19, N.3 (June 2003): 18-26.

Hornik, Heidi J., and Mikeal C. Parsons. “A ‘Visual Exegesis’ of Leonardo’s Uffizi Annunciation,” for Religious Studies News-Society of Biblical Literature Edition. On-line publication (Dec. 2000): 1-5.

EDITORIAL PROJECTS

Associate Editor. The Oxford Encyclopedia of Religion and the Arts in the West Since 1500. Editor-in-Chief Frank Burch Brown, print and online peer-reviewed publication, part of The Oxford Research Encyclopedia of Religion.

Oxford University Press, 2015-present.

Art Editor. Women and the Bible. An Encyclopaedia of Exegesis and Cultural History. (Fondazione Pasquale Valerio per la storia delle donne), Irmtraud Fischer, Mercedes Nacarro, Jorunn Okland, Adriana Valerio, eds., 20 volumes, 4 languages, 2006-present.

Associate Editor and Art Author. Christian Reflection. A Series in Faith and Ethics, Center for Christian Ethics, Baylor University, 2000-present.

Advisory Editor. Oxford Research Encyclopedia of Religion, Oxford University Press, 2013-present.

Advisory Board. The Apocrypha in the History of Interpretation, eds. T. Michael Law (Oxford) and David Lincicum (Oxford), series under contract with Oxford University Press, 2012-present.

Art Editor. Smyth and Helwys Bible Commentary Series, 1999-2001; Cartledge,Tony W., 1 & 2 Samuel (Macon, GA: Smyth and Helwys), 2001,748p.+53ills.; Reddish, Mitchell, Revelation (Macon, GA: Smyth and Helwys), 2001, 472 p.+71ills.; Brueggemann, Walter, 1 & 2 Kings (Macon, GA: Smyth and Helwys, 2000),645p.+80ills.

Editorial Assistant. “All the world’s a stage...” Art and Pageantry in the Renaissance and Baroque, (Papers in Art History from The Pennsylvania State University, V. 6, B. Wisch and S. Scott, eds. (University Park, PA: Penn State Press, 1990) 1989-90.

INVITED LECTURES

International "The Women Around Mary in the Infancy Narrative: Select Italian Paintings from 1300-1500," international symposium Women and the Bible – The Medieval Period, Fondazione Pasquale Valerio per la storia delle donne, Naples, Italy, Dec. 2-5, 2009.

“Michele Tosini, the Ghirlandaio Workshop and Mannerist Magdalens,” international symposium Biblical Women and Their Afterlives, Centre for Reception History of the Bible, Oxford University, England, March 15-19, 2008.

“Michele di Ridolfo del Ghirlandaio (1503-1577) and the Strozzi Chapel Decoration – A Fresco Cycle of Redemptive Epiphany,” Trinity College, Oxford University, England, June 13, 2005.

“Michele Tosini: The Artist, The Oeuvre, and The Testament,” international symposium Continuity, Innovation, and Connoisseurship: Old Master Paintings at the Palmer Museum of Art, The Pennsylvania State University, March 31

- April 2, 1995.

“The Museo di San Salvi, Florence and Mannerism,” Texas A&M in Italy, Florence, June, 1993.

–  –  –

“The Renaissance Workshop of Michele Tosini: Influences, Christian Iconography and Attributions,” Christ College, Valparaiso University, February 29, 2008.

“The Lukan Temptations: A Painter’s Innovation,” Christ College Honors Student Seminar, Valparaiso University, February 29, 2008.

“Michele Tosini (1503-77): Florentine, Renaissance Artist and Religious Iconographer,” The Whitworth Muldrow 2007 Lecture, Shorter College, Rome, Georgia, Feb. 27, 2007.

“Traveling with Tosini,” Alumni Achievement Award Lecture, Palmer Museum of Art, The Pennsylvania State University, April 15, 2005.

“Incorporating Renaissance and Baroque Religious Paintings from the Nelson-Atkins Museum of Art, Kansas City into a Comparative Iconography Course,” William Jewell College Master Teacher Mentor Program, April 19-20, 1999.

“The Madonna and Child with St. John the Baptist by Michele Tosini: Some observations on the panel,” Palmer Museum of Art, The Pennsylvania State University, June 6, 1990.

Regional "The Intersection of Art and Religion in the Paintings of Florentine Painter Michele Tosini During the Catholic Reformation,” St. Michael Catholic School, Houston, Sept. 17, 2015.

“Selected Sculptural Works by Michelangelo Buonarotti (1475-1564),” Tartan Scholars, McLennan Community College, Campus Lecture Series, Waco, Sept. 30, 1997.



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