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«Visualising culture and gender: postcolonial feminist analyses of women's exhibitions in Taiwan, 1996-2003 This item was submitted to Loughborough ...»

-- [ Page 44 ] --

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Hsu, Manray. ‘Close To Open’ in Flash Art, No 208, Oct 1999, p 113 Jayawardena, Janaki. ‘Book Review: The Scandal of the State’ in Feminist Theory, Vol 5, No 3, London: Sage, 2004, pp 369-370 Kapoor, Ilan. ‘Acting in a Tight Spot: Homi Bhabha’s Postcolonial Politics’ in New Political Science, Vol 25, Issue 4, pp 561-577

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‘Other’’ in Third World Quarterly, Vol 25, Issue 4, 2004, p 627 Kendzulak, S. ‘Made in Taiwan’ in Public Art Review, Vol 16, No 31, 2004, pp 35-38 Kent, Rachel. ‘It’s About Time’ in Art AsiaPacific (Australia), No 13, 1997, pp 38-39 Khader, Jamil. ‘Subaltern Cosmopolitanism: Community and Transnational Mobility in Caribbean Postcolonial Feminist Writings’ in Feminist Studies, Vol 29, No 1, 2003, p 63 Kristof, Nicholas D. ‘A Dictatorship that Grew up’ in New York Times Magazine, 16 Feb 1992, pp 16-21 Kunitz, Daniel. ‘China’s New Revolution’ in Art and Antiques (USA), Vol 21, No 11, 1998, pp 82-86 Kuo, Jason C. ‘Book Review: Asia – Art and Cultural Politics in Postwar Taiwan’ in Journal of Asian and African Studies, Vol 37, No 1, 2002, p 113 Lenz, Brooke. ‘Postcolonial Fiction and the Outsider Within: Toward a Literary Practice of Feminist Standpoint Theory’ in NWSA Journal, Vol 16, No 2, Project Muse, 2004, pp 98-120 Le Phuoc, Paul. ‘Arguing with the Phallus: Feminist, Queer and Postcolonial Theory’ in Journal for the Psychoanalysis of Culture & Society, Vol 9, No 2, 2004, pp 254-257 Liao, Ping-Hui. ‘Rewriting Taiwanese National History: The February 28 Incident as Spectacle’ in Public Culture, No 5, 1993, pp 281-296 Ling, Mao-Yi. ‘Rushing Boundaries’ in ART AsiaPacific (Australia), No 24, 1999, pp 34-35 Lu, Victoria. ‘The Rising New Moon: Contemporary Art in Taiwan since 1945’ in Art and Asia Pacific, September, 1993, pp 40-46 McIntyre, Sophie. ‘Taiwanese Storytellers: Huang Chih-Yang and Hou Chun-Ming’ in Art and Asia Pacific, No 20, 1998, pp 62-67

----. ‘Made in Taiwan’ in Art and Asia Pacific, No 3, 1996, pp 83-86 Niu, Ciong-Hai. ‘The Formation of the Formosan Nation’ in Formosan Quarterly, Vol, 1, No 2, 1962, pp 45-48 Ong, Aihwa. ‘Colonialism and Modernity: Feminist Re-presentations of Women in Non-western Societies’ in Inscriptions, Vol 3/4, 1988, pp 79-93 Paasonen, Susanna. ‘Digital, Human, Animal: The Politics of Cyberfeminism’ in n.paradoxa, Vol 2, 1998, pp 16-22 Pai, Maggie. ‘Report from Taiwan’ in Oriental Art, Vol 43, No 1, 1997, p 63 Richter, Dorothee. ‘A Feminist Perspective on Exhibition Display and Education in Curatorial Practice’ in n.paradoxa. Vol 18, 2006, pp 75-79 Spivak, Gayatri Chakravorty. ‘Imperialism and Sexual Difference’ in Oxford Literary Reviews, VII, 1986, pp 225-240

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Stallabrass, Julian. ‘Empowering Technology: The Exploration of Cyberspace’ in New Left Review, No 211 May/June 1995, pp 3-32 Thompson, Laurence G. ‘The Earliest Chinese Eyewitness Accounts of the Formosan Aborigines’ in Monumenta Serica. Sankt Augustin, No 23, 1963, pp 163-204 Wang, Jason Chia-Chi. ‘Made in Taiwan’ in Art and Asia Pacific, No 2, 1994, pp 73-77 Wechsler, Jeffrey. ‘Toward A New Tradition’ in Asian Art News, No 3, May/June 1998, pp 40-47 Wolf, Nicole. ‘Transitional Zones: Nicole Wolf Interviews Tejal Shah’ in n.paradoxa, No 12, 2003, pp 59-67 Yee, Lydia. ‘A Third Space’ in ART AsiaPacific (Australia), No 24, 1999, pp 31-33 Journal Articles (printed in Chinese)

–  –  –

Exhibition Catalogues M. Turner, © 2008 Gao, Minglu (ed). Inside Out: New Chinese Art. Exh. Cat., University of California Press, 1998 Jose, Nicholas and Yang Wen-I (eds). Art Taiwan: The Contemporary Art of Taiwan.

Exh. Cat., Sydney: Gordon and Breach, 1995 Hou Ke International Art. Yeng Ming-Hui Art Catalogue ( ). Taipei, 1995 Huangfu, Binghui (ed). Text & Subtext: International Contemporary Asian Woman Artists Exhibition. Exh. Cat., Singapore: Earl Lu Gallery, 2000 Hui Huang Shih Tai. Yeng Ming-Hui Art Catalogue 1988-90 ( 1988-90 ).

Taipei, 1990 Kaohsiung Museum of Fine Arts. The First International Women’s Art Festival in Taiwan, 2003. From My Fingers: Living in the Technological Age ( ). Exh. Cat., Kaohsiung, 2003 Kia-A-Thau Cultural Society. Sweet and Sour Yeast: A Sweet Conversation between the Kia-A-Thau Sugar Factory and the Taipei Winery ( ). Exh. Cat., Kaohsiung, 2002 Kia-A-Thau Cultural Society. Special Volume for Events at the Kia-A-Thau Art Village ( ). Exh. Cat., Kaohsiung, 2002 — Li, Yu-Lin (ed). 1996 Taipei Biennial: Identity of Taiwan’s Arts II (1996 ). Exh. Cat., Taipei, 1996 Lin, Margo and Wei Ying-Hui (eds). Wu Mali: Treasure Island ( ).

Taiwan: Kaohsiung Museum of Fine Arts. Exh. Cat., 2002 National Tsing-Hua University Arts Center. A Process and Experience: Works by Margaret Shiu Tan ( ). Exh. Cat., Taipei, 1992 Pan, An-Yi. Contemporary Taiwanese Art in the Era of Contention ( ). Exh. Cat., Taipei Fine Arts Museum, 2004 Sinjhuang Cultural Art Centre. Lords of the Rim: in Herself/ for Herself ( — ). Exh. Cat., Taiwan, 1998 Tainan National College of the Arts, Artisti de Taiwan = Artists from Taiwan. Exh. Cat., Tainan, 1998 Tainan National College of the Arts. Beyond Discourse: In-between Visions, Essence and the Appearances of Minds; Another Nostalgia. Exh. Cat., Taiwan: 1998 Taipei Fine Arts Museum. ArtTaiwan: Biennale de Venezia 1995. Exh. Cat., Taipei,

----. Sadness Transformed – 2.28 Commemorative Exhibition ( ).

Exh Cat., Taipei, 1997

----. Minds and Spirits: Women’s Art in Taiwan ( ). Exh Cat., Taipei, 1998

----. Taiwan Artists Exposed: Close to Open ( ). Exh. Cat., Taipei, 1999 M. Turner, © 2008 Website Information Allen, Amy. ‘Feminist Perspectives on Power’ in Edward N Zalta (ed). The Stanford Encyclopaedia of Philosophy (Winter 2005 Edition).

http://plato.stanford.edu/archives/win2005/entries/feminist-power/, consulted on 19 April 2006 Chang, Sukwon. ‘Ideal and Reality of great discourse of Asian Contemporary Art – Sukwon Chang’s speech on International Seminar for Discussion on Contemporary Asian Art’, updated on 4 December 2001, http://www.chinaartnetworks.com/feature/wen_08.shtml, consulted on 5 October Cities of Asia, http://whc.unesco.org/events/asiaciti.htm, consulted on 29 March 2006 Council for Cultural Affairs in Taiwan, ‘Plans for Art Villages of Railway Warehouses’ ( ), http://anrw.cro.cca.gov.tw/ch5/a_railwayart/mainframe.htm, consulted on 24 October 2006 Gerwen, Marjan van. ‘Inside Out: New Chinese Art’, http://www.iias.nl/iiasn/18/asianart/al.html, consulted on 5 October 2005 ‘GB2006 Theme: Theme & Exhibition Structure’, http://www.gwangju-biennale.org/eng/gb2004/gb2004_theme.asp, consulted on 5 October 2005 Hsieh, Ying-Hen et al, ‘SARS Outbreak, Taiwan 2003’, http://www.cdc.gov/ncidod/EID/vol10no2/03-0515.htm, updated on 31 March 2004, consulted on 8 January 2007 Formosa Television News, http://www.ftvn.com.tw/Topic/CaringTW/TWnotes/0412.htm, consulted on 2 June Government Information Office, Taiwan, ‘Taiwan Residents Enjoy World’s Sixth-longest Healthy Life Ratio’, updated on 10 August 2006, http://www.roc-taiwan.org/ct.asp?xItem=17384&ctNode=463, consulted on 7 May Johnstone, Ken. ‘The Haptic Sense’, http://www.chass.utoronto.ca.mcluhan-studies/v1_iss1/1_1art9.htm, consulted on 22 September 2006 Kaohsiung Xin Tang Primary School, http://163.16.17.80/singtang/ Kroll, Zoey. ‘Technically Speaking: An Interview with Sadie Plant by Zoey Kroll’, update in 1999, http://www.penelopes.org/archives/pages/ntic/newmed/sadie.htm, consulted on 11 Aug 2006 Kuo, Kelly Chien-Hui. ‘The Landmark of the Passing: Reflections on Twentieth-Century Taiwanese Architecture’, draft paper, Institute of Asia-Pacific Studies, Nottingham University, https://www.nottingham.ac.uk/iaps/KellyKuo.pdf, consulted on 15 May 2006 Unpublished Material Chang, Jin-Fen. ‘The Experience of Taiwanese Women Labourers: The History and the Area’, conference paper. Consciousness, Identity and Practice: The Academic Conference on Feminisms 2003, 27 – 28 September 2003, Taiwan: National Tsing Hua University Chen, Man-Hua. Moving Between Absence and Presence: The Body Writing of Taiwanese Women’s Art ( ). MA Dissertation. Taiwan: Tainan National University of the Arts The graduate Institute of Art History and Art Criticism, 2005 Chen, Po-Wei. The Preference of Voters - Party Preference Between Taipei and Kaohsiung Metropolises: a Case Study of 2002 Mayor Elections. (

2002 ). MA Dissertation. Taiwan: National

Chung Cheng University Department of Political Science, 2005 Chen, Wen-Yao. Beyond the Deception of a City without Residents – A Critique of Yuan Goang-Ming’s Solo Exhibitions: ‘Human Disqualified’ ( ─ ). MA Dissertation. Taiwan: Tainan National University of the Arts The graduate Institute of Art History and Art Criticism, 2001 Heath, Joanne. ‘Beyond the Blockbuster Retrospective? Feminism and the Museum’, conference paper. AAH Annual Conference: Art & Art History: Contents.

Discontents. Malcontents. 5 – 7 April 2006, University of Leeds Kim, Hong-hee. ‘The 6th Gwangju Biennale 2006 from the Perspectives of “Shift of Center”’, conference paper. College Art Association 94th Annual Conference, 22 –25 February 2006, Boston, US Lin, Pey-Chwen. The Position of Women in Taiwan’s Social Structure Reflected in Contemporary Arts Practice. PhD Thesis, University of Wollongong, Faculty of Creative Arts, Australia, 1996 Maravillas, Francis. ‘Cartographies of the Future: The Asia-Pacific Triennials and the

M. Turner, © 2008

Curatorial Imaginary’, conference paper. International Conference on Our Modernities: Positioning Asian Art Now, 19 – 22 February 2004, National University of Singapore Newsletter of Taiwanese Women’s Art Association, Taipei: Taiwanese Women’s Art Association. 2000-2003 Preez, Amanda Anida Du. Gendered Bodies and New Technologies. University of South Africa, PhD Dissertation of Literature and Philosophy, 2002 Shen, Fang-Jung. The Penetration of Flexibility – out of Studio: Art Works by Shen

Fang-Jung ( ). MA Dissertation. Hsinchu: National

— Hsinchu University of Education, 2006 Society of Contemporary Art, Taipei (SOCA). An Analysis of Data for the Establishment of the Women Artists’ Association ( ).

Taipei: SOCA, 31 December 1999 Taiwan Women’s Art Association (TWAA). TWAA Bulletin ( ). Taipei and Kaohsiung: TWAA, No 1-14, February 2000 – August 2004 Turner, Caroline. ‘Cultural Transformations in the Asia-Pacific’, conference paper.

International Conference on Our Modernities: Positioning Asian Art Now, 19 – 22 February 2004, National University of Singapore Wang, Chih-Yao. An Analysis of Chinese Consciousness in the Development of Taiwan’s Society and Politics, 1988-2000 ( 1988-2000). MA Dissertation. Taiwan: Chinese Culture University Graduate Institute of Chinese Studies, 2002 Wang, Jin-Hua. Aesthetics and Politics of Gender: An Initial Study and Criticism of the Taiwanese Women’s Art Exhibition in the 1990s ( / 0 ). MA Dissertation. Taiwan: Tainan National University of the Arts The Graduate Institute of Art History and Art Criticism, 1999 Wang, Shih-Chih. Capitalism, Patriarchy & Women Workers in Textiles: The Case of

Taiwan ( / ). MA Dissertation.

Taiwan:

National Chung Cheng University Institute of Labour Studies, 1997 Wu, Mali and Jian Wei-Shin. Wan Bu Sisters ( ). 56 minutes documentary film, DVD. Taipei: Taipei Awakening Association, 2004 Yang Chih-Fu, ‘Debbie Tsai-Shuan Lin Solo Exhibition: Vacuum State’ ( ). Publicity flyer, Taipei Fine Arts Museum, 25 October – 7 December 2003 ‘Interview with Wang Yako’, Taipei, Taiwan, 23 September 2004 ‘Interview with Wu Mali’, Taipei, Taiwan, 24 September 2004 ‘Interview with Jang Jin-Yuh’, Kaohsiung, Taiwan, 29 September 2004 ‘Interview with Lin Ping’, Taichung, Taiwan, 3 October 2004 ‘Interview with Chang Hui-Lan’, Kaohsiung, Taiwan, 4 October 2004 M. Turner, © 2008 ‘Interview with Chien Fu-Yu’, Taipei, Taiwan, 6 October 2004 Newspaper Articles Chen, Shi-Lin. ‘Women Artists and Sweet Dialogue: Interacting through the Exhibition Shown at the North and the South of Taiwan’ in China Times on 5 November 2001, p 14 Gau, Michael. ‘WHO’s Deal with China is a Shame’ in Taipei Times, Taipei, Sunday, 21 May 2006, p 8 Hirsch, Max. ‘Cross-border Couples Discussed’ in Taipei Times, Thursday, 21 September 2006, p 2 Huang, Wan-Tran. ‘Why Pick on Betel-Nut Beauties?’ in Taipei Times, Taipei, Monday, 12 March 2007, p 8 ‘Joseph Wu Slams Beijing's Moves to Buy Taiwan's Allies’ in Taipei Times, Sunday, 1 July, 2007, p 3 Ko, Shu-Ling. ‘Foreign Brides in Taiwan: Wedding Bells for Foreigners’ in Taipei Times, Monday, 1 October 2001, p 3 Liu, Kuan-Teh. ‘Re-examining Taiwan’s Diplomacy’ in Taipei Times, Tuesday, 19 June 2007, p 8 Wu, Mali. ‘There Isn’t Enough Femininity behind the 1996 Taipei Biennial’ in China Times, 24 August 1996, p 39 M. Turner, © 2008 Appendix: illustrations1 Introduction

1. Map of Taiwan

2. Wu Diing-Wuu Walis. The Invisible Project, 2001-2002, video installation, size unknown

3. Wu Diing-Wuu Walis. The Invisible Project, 2001-2002, video installation, size unknown

4. The word ‘man’ in Oracle Bone Scripts

5. The word ‘woman’ in Oracle Bone Scripts

6. Ju Ming-Kang. Three Generations, 1946, woodblock print, 19.5 x 25

PART I

Chapter 1

7. Fine Arts Museum of Taipei, 2007 8. 2.28 Commemorative Exhibition: Sorrow and Sublimation, exhibition entrance

9. Photograph of the 228 Incident taken in Taipei on the 28 February 1947, Photographer unknown

10. The scenario after the protest in the 228 Incident. Date and photographer unknown.

11. The DVD cover of the film, A City of Sadness (1989)

12. Wu Mali. Epitaph, 1997, installation, video, sandblasted glass with inscription, 300 x 350 x 400

13. Wu Mali. Epitaph, details

14. Lin Pey-Chwen. Black Wall, Inside and Outside the Window, 1997, mixed media installation, 450 x 300 x 250

15. Lin Pey-Chwen. Black Wall, Inside and Outside the Window, details

16. Lin Pey-Chwen. Black Wall, Inside and Outside the Window, details Chapter 2

17. A textile factory in Sinjhuang, 2003

18. A textile machine, 2003 Please note that measurements are given in centimetres.

M. Turner, © 2008 19. Hou Shur-Tzy. Labours and Labels III, 1997, Gelatine Silver Prints,

17.8 x 12.7 x 30 pieces 20. Hou Shur-Tzy. Labours and Labels II, 1997, a photograph and dozens of labels on the walls, 96.5 x 96.5 (size of the photo) 21. Hou Shur-Tzy. Labours and Labels II, details 22. Lin Chun-Ju. Birth, 1997, textiles and installation, 500 x 500 x 300 23. Lin Chun-Ju. Birth, details 24. Lin Chun-Ju. Birth, details 25. Wu Mali. Stories of Women from Sinjhuang, 1997, multimedia and installation, 500 x 550 x 300 26. Wu Mali. Stories of Women from Sinjhuang, details

PART II

Chapter 3

27. Cover of the Exhibition Catalogue, Sweet and Sour Yeast: A Sweet Conversation between Kia-A-Thau Sugar Factory and Taipei Winery (2000-2001) 28-29. Sweet and sour yeast ice cream, 2006 30. Taipei Winery (Hua-Shan Arts District), c. 1920 31. Hua-Shan Arts District, 2005 32. Kia-A-Thau Sugar Factory (Kia-A-Thau Art Village), c.1910 33. Old office buildings of the Kia-A-Thau Sugar Factory, 2006 34. A View of the Exhibition 35. Lin Pey-Chwen. Baby: Back to Nature, 2001, multi-media, 30 x 40 (each) 36-37. Lin Pey-Chwen. Baby: Back to Nature, details 38. Lin Ping. Interior, 2001, multi-media, 250 x 400 39. Lin Ping. Interior, details 40. Joan Pomero. Quietly Exsanguinate, 2001, textile rose and blue ink, 250 x 250 x 30 41. Joan Pomero. Quietly Exsanguinate, details 42. Joan Pomero. Steam-side, 2001, textile, 500 x 150 x 100 43. Joan Pomero. Steam-side, details 44. Chou Wen-Li. Visual Taste, 2001, photographic print, 120 x 360 45. Chang Hui-Lan. Kia-A-Thau Sugar Factory in Hua-Shan Winery, 2001, photographic print and installation, 150 x 250 x 250 M. Turner, © 2008 46. Chang Hui-Lan. Kia-A-Thau Sugar Factory in Hua-Shan Winery, 47-48. Photographs of the Art Festival of Air Raid Shelters in Kia-A-Thau, March 2002, Kia-A-Thau Art Village 49-51. Photographs of the 2nd World Art Collective, April 2002, Kia-A-Thau Art Village and Town Chapter 4

52. Stock 20 (gallery main entrance), 2006

53. Stock 20 (café shop and side entrance), 2006

54. Wu Mali. Spiritual Quilt, 2001, cloth, sponge and a documentary film of Wan Bu Studio (also entitled Wan Bu studio, 56 minutes), 200 x 200 (size of the cushion)

55. Wan Bu Studio. Still images from the documentary film

56. Deng Wen-Jen. A Three-inch Lotus Shoe, 2000, oil painting and embroidery, 40 x 40

57. Deng Wen-Jen. A Three-inch Lotus Shoe, details

58. Deng Wen-Jen. Betel Nut, 2003, acrylic and fabric, 22 x 27

59. Betel Nut Girls. Photo taken in Taoyuan county, 2005

60. A betel nut, 2006

61. Shen Fang-Jung. The Starfish Series, 2003, fabric, around 80 x 80 x 60 (each)

PART III

Chapter 5

62. Chien Fu-Yu. Elite Women in the Early Times, 1997, photographs, size unknown

63. Chien Fu-Yu. Elite Women in the Early Times, details (Chen Chin), photography taken in 1987

64. Lin Li-Hua. Yei Zi-Mei and Mona Lisa, 1995, mixed media, 91 x 65 (each)

65. Lin Li-Hua. Time Has Given Us Different Faces, 1994, acrylic pigments, 91 x 65

66. Lin Pey-Chwen. Antithesis and Intertext, 1995, mixed media, 420 x

67. Lin Pey-Chwen. Antithesis and Intertext, details

M. Turner, © 2008

68. Lin Pey-Chwen. Beautiful Life, 2004, 32 panels of digital prints on vinyl, 300 x 90 (each) 69. Lin Pey-Chwen. Beautiful Life, details 70. Yen Ming-Hui. A Man and a Woman, 1988, oil painting, 213.5 x 130.5 71. Yen Ming-Hui. Three Apples, 1988, oil painting, 46 x 51 72. Lai Mei-Hua. Face of a Woman, 1995, oil on canvas, 145 x 112 73. Lai Mei-Hua. Happiness, 1990, oil on canvas, 91 x 65 74. Hou Chun-Ming. New Paradise, 1996, print, 190 x 216 (each) 75. Hou Chun-Ming. New Paradise, details Chapter 6

76. Cover of the Exhibition Catalogue, From My Fingers: Living in the Technological Age (2003)

77. Kaohsiung Museum of Fine Arts, 2006

78. Punch Card Loom Jacquard, Nineteenth century, England, Collection:

Science Museum, London (Photograph by George P Landow, June 2000)

79. Entrance to the Exhibition, From My Fingers

80. Black Cats at Takao. Black Cats’s Virtual Adventures, 2003, multimedia installation, size variable according to the exhibiting space 81-82. Black Cats at Takao. Black Cats’s Virtual Adventures, details

83. Sin Log Gi. Workshop for Evolution – Phase I, 2003, multimedia installation and animation, size variable according to the exhibiting space

84. Sin Log Gi. Workshop for Evolution – Phase I, details

85. Liu Shih-Fen. Gift, 2003, multimedia installation, size variable according to the exhibiting space

86. Liu Shih-Fen. Gift, animation part of the work 87-88. Liu Shih-Fen. Gift, details

89. Lin Debbie Tsai-Shuan. Vacuum – Impressional Temperature, 2003, mixed-media installation, size unknown 90-91. Lin Debbie Tsai-Shuan. Vacuum – Impressional Temperature, details

92. Wang Tze-Yun. The Secret of Miss W, 2003, multimedia installation, size variable according to the exhibiting space

93. Wang Tze-Yun. The Secret of Miss W, details 94-95. Wang Tze-Yun. The Secret of Miss W, details (top: ceiling; bottom:

entrance of the work) M. Turner, © 2008 96. Big Quilt Project 2003, grass field outside the Kaohsiung Museum of

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